Michael Hartnett’s Travails in St. Ita’s Secondary School

Hartnett by the Bridge in Newcastle West
Michael Hartnett in pensive mood by the River Arra in Newcastle West in the 1970s. Photo credit to Limerick Leader Photo Archives

Michael Hartnett began Secondary School in September 1956.  He arrived in St. Ita’s Secondary School with a burgeoning reputation.  By that time he had had his first poem published in the Limerick Weekly Echo as far back as the 18th of June 1955. He was then thirteen and still a student in the Courtenay Boys National School. The poem was entitled ‘Camas Road’, and it described in particular detail the rural vista of the West Limerick townland of Camas at evening: ‘A bridge, a stream, a long low hedge, / A cottage thatched with golden straw’ (Book of Strays 67).  He sat his Intermediate Certificate in June 1959 and later in mid-September the results were published in the Limerick Leader and Hartnett from 28 Assumpta Park was first on the list having received a full set of seven honours.

Patrick J. O’Connor, later to be Dr. Patrick J. O’Connor, who for most of his academic life lectured and published extensively on human geography at the University of Limerick, entered the school as a first year in September 1959 and has vivid memories of the young Hartnett and saw him, in particular, as a shining role model to be emulated.  He describes Hartnett at that time as ‘a small, slight figure, bookish, often solitary, never a participant in play in the field opposite his house’.

In his evocative memoir, The New Houses, O’Connor also suggests that Hartnett, despite his excellent academic record, did not find favour with the school’s Principal and Manager, Jim Breen.  O’Connor held Jim Breen in high esteem and he says that he, ‘made a distinctively personal contribution during the lean years that saw a blossoming of second level education in this country.’  He goes on to say that he, ‘asserted a strong presence and, being a big man physically, he rarely had to repeat anything.  He was a strict disciplinarian, meticulous in attention to detail, but never petty or vindictive.  He led by example in the sense that his own work bore the stamp of discipline and commitment.’  The sight of his green Volkswagen Beetle, registration number AIU 524, was enough to elicit an instant quickening in the step of many a tardy pupil.

According to O’Connor, Mike Hartnett ‘was the target of persistent monitoring on the part of the headmaster, Jim Breen’.  Mike was a voracious reader and it seems that not all of his reading material was on the Prescribed English Syllabus and some of the literary works did not always find favour with the erstwhile headmaster.  According to O’Connor, it was the ‘skewed subject content that bothered Jim Breen’.  He made repeated raids on Hartnett’s gabháil of books.  Following these repeated attacks O’Connor says that in his eyes, ‘From the status of heroic scholar Michael Hartnett sank into disrepute’ as a result of this regular attention paid to him by the headmaster!

It seems he didn’t fare any better with his English teacher, Willie O’Donnell. According to Pat O’Connor, O’Donnell taught English at senior cycle level and employed strategies supremely well suited to cope with the rigours of the examination system.  A man well acquainted with the technicalities of language, he had a particular fondness for the double entendre, and one of his most favoured concerned the numbers of students from the school who would, ‘go down in history’!  Seemingly, he persistently charged his young student, Hartnett, with the indictable offence ‘of meditating the Muse’.  It was only a matter of time before the Empire struck back and Hartnett it seems planned and executed a number of retributions on Willie O’Donnell.  Even long after he had left the influence of St Ita’s, indeed long after he had left UCD, and while carrying out periodic commissions for The Irish Times in the Sixties and Seventies, he made a number of pointed references to his former school which were not seen as complimentary by management.  For example, in an article in The Irish Times on November 11th, 1968 he writes:

I left the national school in 1956 and lost an ally (Frank Finucane).  Secondary school came then, and I wrote many poems (all, fortunately, lost) and made a new enemy, my English teacher.  For five years I was beaten more often for ‘meditating the Muse’, as he called it than for lack of learning.  But my poetry changed for the better, not because of the school, but because I partook of an old Irish custom: the girl I loved at the time entered a convent.  This and the claustrophobia of Newcastle West, its rich and its poor, its bullying priest, turned me to write about myself …….. I was a poor man’s son in a secondary school, a place I had no right to be, as I was often reminded.

Harnett was never forgiven for all these indiscretions, by Jim Breen.  Even when he returned as a recognised poet to Newcastle West in the 1970s and lived for a decade ‘out foreign in Glantine’ he was not welcomed back with open arms to his old alma mater while Jim held sway – even when Michael’s son, Niall, was a student in the school in the early Eighties.

There was, however, one teacher in the school who recognised Hartnett’s latent talent and who was most attuned to this rebel without a cause and that was Dave Hayes. As a teacher, Dave Hayes brought style and panache to bear on the teaching of Latin.  According to Pat O’Connor, he was, ‘unquestionably a classical scholar of stature.’  This assessment was reinforced later during Dr O’Connor’s first year in UCD, when a well-known lecturer and future Minister for Education, John Wilson no less, could, in his view, ‘do no better than stand in the long shadow of Dave Hayes’.  Dave Hayes was probably responsible for ensuring that Hartnett continued his Secondary education in St.  Ita’s until he was nearly twenty years of age.  His earlier scholastic promise failed to develop, however, and he eventually left St. Ita’s with honours only in Irish and English – much to the chagrin of his father, Denis.

Jim Breen retired as Principal in 1977 but continued as Manager and owner of the school until his death in 1984.   Following his death, Des Healy, who had become Principal of the school on the untimely death of Noel Ruddle in 1981, took over the reins as Manager up until the school closed its doors on 29th May 1992.  Des Healy was a past pupil of the school and, indeed, had been a classmate of Hartnett’s during their time in school.  Des remained a lifelong friend of the poet, Michael Hartnett.

I will end this post with a true story.  Honestly!  I was there!  As I mentioned earlier,  Des was Principal of St. Ita’s Secondary School in the 1980s and Michael’s son Niall was a student in the school up until about 1985.  To add to the intrigue Michael’s brother Dinny was the local postman at the time.  One morning Des received a postcard from the poet delivered by hand to the school by Dinny the Postman.  The postcard, which no doubt had also been read by Dinny prior to delivery, read as follows:

Dear Des,

If I ever have any more children I won’t be sending them to your school.  This has nothing to do with the quality of education provided in your school – it’s just the principal of the thing.

I remain,

Yours truly,

Michael Hartnett

Des
Des Healy (former Principal of St. Ita’s Secondary School) poses by the statue of his friend Michael Hartnett in The Square, Newcastle West.

Works Cited

Hartnett, Michael, A Book of Strays, ed. Peter Fallon, Gallery Press, 2002.

O’Connor, Patrick J., The New Houses – A Memoir, Oireacht na Mumhan Books, 2009.

O’Connor, Patrick J., Hometown: A Portrait of Newcastle West, Co. Limerick.  Oireacht na Mumhan Books, 1998.

Further Reading

Read also blog post ‘Happy Memories of St. Ita’s Secondary School’  here..

Treasured Father-Son Memories Recounted at Opening of Éigse Michael Hartnett 2018

FullSizeRender (12) Niall Hartnett

Michael Hartnett’s son Niall gives the keynote speech on the first night of this year’s festival. “Poetry is my life and my life is poetry,” the words poet Michael Hartnett wrote in a letter to his son, Niall in 1998, the year before Michael died.

 

Niall read excerpts from that treasured letter on the opening night (Thursday 12 April 2018) of Éigse Michael Hartnett, the literary and arts festival which takes place each year in his father’s hometown of Newcastle West, Co. Limerick.

In a keynote speech which took its title from a line of Michael’s, The Possibility we have overlooked is the futureNiall Hartnett spoke movingly about his father and his work:

“He could weave a tapestry of a small town or an epic struggle at the highest level so seamlessly, you could not always tell which was which. Neither could he, I suspect, and did not see the point in separating the two: there is as much drama in Salad Sunday as there is in Sibelius! As much intrigue in Maiden Street as there was in Inchicore.”

“We need to honour this son of Newcastle West and the road less travelled he took to bridge many worlds early on. I feel we can best do this by encouraging ourselves and especially the young to choose unpredictable paths and unexpected destinies. Break the mould and proudly show others that you did. Invite the young, your family and friends to this festival and encourage them to nurture this legacy which will someday will be theirs. The future belongs to the young and they will carry all of this on we hope, but only if we engage them now! As the poet himself said: the Possibility we have Overlooked is the Future!” Niall added.

Officially opening the festival Mayor of the City and County of Limerick Cllr Stephen Keary said: “It is heart-warming to see that Michael is being celebrated in his hometown. Michael was loved by everyone in Newcastle West, who knew him through his words, as the poet, and I’m delighted that his son Niall is here this evening giving us an account of Michael as a father. There are many sides to people, such as Michael and it’s invaluable that we get an insight into these so that we can understand and appreciate the works of Michael Hartnett even more.”

Creative Writing Workshop
Creative Writing Workshop with Dr Robyn Rowland (Picture by Dermot Lynch)

The opening night of Eigse also saw the joint winners of this year’s Michael Hartnett Poetry Award honoured: Macdara Woods for Music from the Big Tent (Dedalus Press 2016) and Mary O’Malley for Playing the Octopus (Carcanet 2016).

“Music from the Tent is a superb orchestra of verbal melodies, a Big Top in which free verse, ballads and haiku sing and cavort,” the judges Jo Slade and James Harpur said in their citation.

In accepting his award Macdara Woods said: “It is delightful to share with Mary O’Malley an award given in memory of my old and dear friend, Michael Hartnett. We had many wild times, and some quiet times, and adventures together, from Dublin to London to Kilkee, but what remains most clearly, and has become even more apparent with the passing of time, is his genius for poetry and the translation of poetry. I intend to take this award as a personal nudge from Michael.”

His fellow award winner Mary O’Malley added: “I am delighted to receive the Michael Hartnett Award, I too knew Michael and he had kind things to say about my young poems, he has remained a touchstone for me.”

Mary O’Malley’s Playing the Octopus was described by the judges as “a beautiful collection of rare gems that sparkle and seduce.” This is a collection that balances beauty and harmony, the poems are restrained but deeply felt, the voice assured, meaning is revealed slowly like an uncovering of essence, something essential and elemental.”

Éigse Michael Hartnett also highlighted readings by authors John Boyne and Mike McCormack, who has just been shortlisted for the 2018 International Dublin Literary Award and young Limerick poet Edward O’Dwyer.

Professor Declan Kiberd delivered the Michael Hartnett Memorial Lecture on Saturday 14th, entitled, Honey I shrunk the kids, in which he raised the question of whether there is a children’s literature, or whether the classic works from Alice in Wonderland to Harry Potter are written by adults, published by adults, often to promote adult agendas.

“It will then raise an even deeper question–whether childhood, as we know it through literature, is an invention of recent centuries, perhaps even an image constructed in the age of print and now fast disappearing with the spread of electronic and digital media. These are troubling questions,” Professor Kiberd said.

Declan Kiberd
Dr Declan Kiberd delivering the Michael Hartnett Memorial Lecture entitled ‘Honey I shrunk the Kids!’ – Is there a children’s literature? (Picture by Dermot Lynch)

Éigse takes place each year in Newcastle West, Co. Limerick, Hartnett’s home-town and is supported by the Arts Council and Limerick City and County Council.  The continuing support received from Sheila Deegan and her team of Aoife Potter Cogan, Dr Pippa Little and ‘the real boss’ Lizanne Jackman was acknowledged at the opening ceremony.  The local organising committee is Vicki Nash, Norma Prendeville, John Cussen Rachel Lenihan, Rossa McMahon and Vincent Hanley.

The Michael Hartnett Poetry Award is awarded in alternate years to books of poetry in the Irish and English language.

For full details of the 2018 programme please check out www.eigsemichaelhartnett.ie

Norma Prendeville
Norma Prendeville at the launch of Gabriel Fitzmaurice’s Milking the Sun – Ag Crú na Gréine (with illustrations by Gabriel’s wife Brenda). The book is a translation of Gabriel’s favourite poems by Sean Ó Riordáin from the Irish.(Picture by Dermot Lynch)

 

Shared with the permission of Limerick City and County Council  Newsroom